DAY DUSK AND NIGHT

Shaded in there. Nobody on the outskirts in the lot save for the homeless man who lives in his car (who I like), and the other solitary man who eats his lunch each day in his car and then goes walking. I go into the forest and it is a few degrees cooler and there is a pond towards the side and back. I see a frog. Think I hear a snake. Notice winding vines that crawl up a tree like something out of William Golding. William Golding is probably dead though. I wait in the marshy and cool area for some time. The canines like it. They drink. Some bird calls out from somewhere. I once saw a beautiful snake there, representing at that time the Kundalini energy. We look around. The light filters through the tree cover and splits into parts, sometimes alighting on moss covered trunks and rocks, or else on feral flowers, shrubs, leaves healthy and leaves diseased. A few weeks ago in the light rain and mist I saw my first Salamander. It was bright orange and just waited on a path. It had probably been rained out. Having travelled around the past days, I was happy to be back to the fields and forests. The fields at dusk, yesterday, were cooler and a light breeze came. Strange cloud formations and the area are golden hued, flaxen, then green up by the trees, and brown of course on the dirt paths. There are berries and insects of many kinds. Today, deeper in the forest, I was surprised to see to berries that were blue, yet did not seem like generic or standard blue berries. Non colloquial berries. There is always something new. I walk so slowly that it is calm, still, and the forest world slowly but certainly opens up, - reveals like a Divine Mother some of her secrets, and perhaps though she is the giver, she does have some wishes too. The walk is like a sort of prayer rand because of the drive, the coffee, a headache pill, plus nature, the breeze, the energy of the flowers and the grounded-ness of walking upon dirt paths, - especially those dirt paths, - there is a step, a passageway, a fine tune-ment, a moment, that is found inwardly and it is a moment were things are okay. I, and we, have come to meet the day. I shall have to make a story, - called simply DAYS, or a three part novella, - ten pages each, - equalling thirty, - called DAY, DUSK, AND NIGHT. It would be a longer version of this.

And the dusk. That will be when the wind comes a bit more, as if promising a storm. A promissory note for rain, which I have said before somewhere. But it’s not there yet. The deer, which we saw yesterday, at the crossing, stand for long peculiar and pensive moments and watch us. The grasses are so tall. I can hear the train far off – the cargo train, and it goes beyond and behind the marsh where the yellow buttercups live. The cars are getting less, - the freight cars, Triton, - designations various. They are like in a story. The insects are around. Colors fade, and shapes lose their hard edges as I think then more of dreams, of books not read or read,- of things to study (for some reason). The moon is there, but I can’t remember now if it’s a crescent or what. The world without people. The dogs love that time. They are running, - back and forth.

In the night, the coyotes will come, or else the rain. Maybe a bit of both. Maybe they watch from their dens. The forest is a mystery then. Fox, fowl, coy-wolf, - the bird’s safe and sleeping, - hidden away- even the blue eggs in the nests. A solitary car or truck passes way, way out on the street. The gun ranges and their reports, - from angry men, or misguided men, or perhaps just men, - I don’t know- have ceased. The trains have stopped. No jogger, biker rider, or other. Clouds move away and reveal moon- but only for an instant. Lights, yes,- from the firmament, but also far below- there, here,- they are here,- they are round and soft and white and yellow and red and green and they are the street lights but they have taken on an other worldly glow and make the wild trees around them to cast marvellous shadows,- dancing devas and sprites and forest angels, gnomes, wild magical little people that are talking (in their own ways) on the asphalt and the leaves, the rocks and pebbles and other.
They weave and circle but mostly the shadows and light and rain pellets dance back and forth along the earth.
Nocturnal and nothing lurid about it. Or, if there is luridness it is against logic some sweet and real other reality full of vitality, agility, and a joyous kind of fright.

It is their time to be alive.



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